Composer Bent Lorentzen
Instrumentation Soprano, tenor, bass soli + mixed choir, 3.3.3.3/4.3.4.1/timp/4 perc/arpa/archi
Category Orchestra
Publication year 1992
Catalogue no. B.0209
Duration 67 minutes
Genesis
(1992)
(1992)
Composer Bent Lorentzen
Instrumentation Soprano, tenor, bass soli + mixed choir, 3.3.3.3/4.3.4.1/timp/4 perc/arpa/archi
Category Orchestra
Publication year 1992
Catalogue no. B.0209
Duration 67 minutes
The Fifth Day of Creation was commissioned by the Danish Amateur Choral Federation and was first performed in 1985 by the Danish Cæcilie Choir, the Gemengd Koor de Vedel (Belgium) and Aarhus Symphony Orchestra at the Venue in Aarhus, conducted by Ole Schmidt. The project was a conglomerate of all the First Seven Days; it was composed by seven different Danish composers and was performed on the same day all over the country. The lyrics are supposedly Anders Sunesen’s creation account in Latin from the 12th century. However, I considered the lyrics to be too quaint, and I preferred Genesis in Latin, which is simple and elementary and known by everyone. One critic suggested that I tackle all seven days; an idea that Radio Denmark in 1990 considered to be of such interest that it resulted in a commission.
The work is constructed the following way:
I. Dies Unus
Earth is created: it is deserted and empty. In the Universe darkness prevails. There was light with an orchestral ”big bang”. For choir and full orchestra.
II. Dies Secundus
The firmament and the waters are separated. Land appears. For solo bass accompanied by trombone quintet.
III. Dies Tertius
Herbs and trees. For tenor baritone, string orchestra, harp and tubular bells.
IV. Dies Quartus
Sun, moon and stars. For solo soprano, high woodwinds, trumpets and horns.
V. Dies Quintus
Fish and birds (like water and air) and a new orchestral ”big bang”. For choir and full orchestra.
VI. Dies Sextus
Animals on Earth. Human: man and woman.
VII. Dies Septimus
God rests. Great apotheosis with orchestral ”big bang”. For all participants. The soloists resemble Haydn’s "The Creation": Soprano, high baritone and bass.
Big cast bells (church bells) herald each new day. The first day with one strike, the second day with two etc.
Bent Lorentzen
Canons I - V
2000 • Bent Lorentzen
2-6 Instruments
18:30 minutes
for accordion duo
Genesis V
1984 • Bent Lorentzen
Orchestra
Mixed choir, 3.3.3.3/4.3.3.1/timp/3 perc/arpa/archi
Fyrtøjet
2003 • Bent Lorentzen
Orchestra
30 minutes
Narrator + mixed choir, childrens' choir, junior percussion group + 3.3.3.3/4.3.3.1/timp/3 perc/archi
Circus
2001 • Bent Lorentzen
Solo
7 minutes
Accordion solo
Steppenwolf-Fragment
2000 • Bent Lorentzen
7+ Instruments
16 minutes
1.1.1.1/1.1.1.0/timp/2 perc/pno (+synth)/1.1.1.1.1 (+el-bass)
Der Steppenwolf
1999 • Bent Lorentzen
Music Drama and Stage Music
120 minutes
High soprano, soprano, mezzo-soprano, contralto, tenor, baritone, bass-baritone and bass soli + mixed choir and small symphony orchstra: 2.1.2.1/2.1.1.0/timp/2 perc/pno/cel/6.0.4.4.3
Double Concerto
1999 • Bent Lorentzen
7+ Instruments
20 minutes
Trumpet and trombone soli + 1.1.1.1/1.0.0.0/perc/pno/1.1.1.1.1
Cello Scenes
1990 • Bent Lorentzen
2-6 Instruments
9 minutes
2 vlc
Comics
1987 • Bent Lorentzen
Orchestra
29 minutes
Entertainer + mixed amateur choir, childrens choir, amateur musicians (sax, el-bass, perc. group) and professional symphony orchestra: 3.3.3.3/4.3.3.1/4 timp/arpa/archi
Regenbogen
1991 • Bent Lorentzen
Orchestra
26 minutes
Trumpet solo + 3.3.3.3/4.3.3.1/4 perc/arpa/archi