At Deutsche Oper Berlin the 26-27 season features the motto «Make Love…». This draws a connection to our times and their challenges, whilst inviting the audience to fill in the three dots of the famous 1960s slogan in your own way – playfully, humorously and with space for creative thought.
Gísladóttir's Good Vibes Only explores themes from our social media-influenced society. Deutsche Oper describes it as follows:
"A digital labyrinth: Tens of thousands of digital posts are made around the world every second. Posts are put up, Tweets are written, videos are uploaded. Two thirds of the global population regularly uses social media, and almost half use them every day. A flow of information crashes against our brains, forcing us to make decisions on unrestricted paths through the ever-expanding digital jungle. We fluctuate between two extremes as this happens: touching animal videos alongside images of accidents, meal recipes and lifehacks followed by acts of violence. This heterogenous crossfire in the endless feed of content being permanently shoved into our faces forms a riptide that the recipient can scarcely escape.
To counteract this powerlessness to an extent, Icelandic composer Bára Gísladóttir and French author and director Joris Lacoste search for meaning in this multidimensional chaos with Good Vibes Only. This is the first full-length opera for the Siemens Music Foundation grant recipient, celebrated for her dark yet sensitive style that blends influences from noise, metal and classical tradition. Multi-talented artist Lacoste, who has garnered attention with his collage-like, documentary theater pieces, is making his operatic debut. In their collaborative creation, the two explore formal structures and human behaviour that emerge from the manifold interplay within the virtually limitless digital realm.
The data world is reimagined as a stage. By rearranging real-world posts, a gigantic spectrum of cognitive and emotional expressions about our world is revealed. Good Vibes Only lets the audience experience the sheer breadth of notifications in the data flow of the digital ether in the form of trans-medial musical theatre. Titus Engel, conductor-in-residence and experienced partner for complex debuts, is conducting his first opera production at Deutsche Oper Berlin. In a highly technological spatial concept, diverse vocal styles combine with orchestral sounds and sophisticated electronics to create a panopticon of our digital age."
Good Vibes Only is premiered on January 22 and is scheduled for five performances.
Besides from the new opera, Bára Gísladóttir's residency brings a performance of her work SILVA in the legendary nightclub Berghain in collaboration with the CTM Festival as well as a performance of VÍDDIR in Kaiser-Wilhelm-Gedächtnis-Kirche.
Find more information about Good Vibes Only and Gísladóttir's residency here.
